21 POEMS - Edwin Forrest Ward
NIGHTS WITHOUT LOVE
nights without love
I looted unlocked
cars, drunk
stumbled I upon
lookin’ for
a bride tossed garter
I’d lost long ago or
a
bow for my broken
arrow
in my ransacking ways
I was an indian angel
among the trinkets
of glove box and
floor
here a condom, there
some gum
aglow on the
dashboard
saint someone
protects
the plunder from me
I take little, just
read signs
recycle debris
these nights without
love
make a barbarian of
me
COUNTERMEASURES
aside water pools and
water
falls, stone beneath
four feet
in places such as
this
we pile rocks
scribe names
to make tomorrow weep
carved intaglio,
ancient pine
will fall in time
upon
assembled spelling
stones
eras leave no bone
unturned
mountains tremble
chasms yawn
years from now
arrives too soon
love like ours
nights like this
the only
countermeasures
A SERIOUS ADVENTURE
longing
risk
the undress of a
waitress
in morning
coffee black and
cigarettes
the silkiest lounging
attire
TIME IS A PLACE
it ain’t easy
to quiet the world
it ain’t easy
to set the stage
right
it’s a tease to look
me in the eyes
it’s a tease
to stand in such
light
a bureau of cosmetics
a nightstand of books
the lamp off now
the window outside
a dawn bed of flowers
time is a place
a bouquet of earthly
locations
HEADSTONE
death is the dilemma
an epitaph cures
write yours now
THEY BURY IN PAIRS
WHERE I COME FROM
it is always morning
flesh against flesh
upon
lush carpet in a poem
to promises kept
Away Forever Swept
SIMPLY SAID
simply said
sun enlightens earth
even the moon needs
sunlight to ride
white across the
night
is this not apparent
to all?
I wonder
in these days of art
when upon the face of
it
they paint a woman’s
flirt
as if the sun were
flower
come on! I know
the anatomy of
orchid and fire
who brings light
who is flower
POEM FOR PASSION
all right, kid
put this in your
pocket
with the house keys
she will always be
younger
than you
with your ability
to woo
even in the city
where quantity
obscures
you’ll find her
smooth face, bright
shiver of light,
cupped
flesh in your hands
another key:
what to do with it
her youth and
willingness
TRUST
trust
it wasn’t easy
to give up the many
for monogamy’s one.
I’d slide my eyes
along the lie
of every passing
female thigh
every woman met,
undressed
for what attire
conceals
the toss of eye
the hair reveals.
some say the face.
some say
the verb of bending.
must
needs be unending,
the
tangle of reasons for
love.
PUPPET POEM
you need no ESP
to sense the strings
we’ve tangled
the physics of the
world
strings the
astronomical
the small
puppet to puppet
with no puppeteer
we, the lovers,
dance.
I am rising
you are rising
too
THE DISTANCE TO HER
ALWAYS
quicker. love
puts lead in the foot
the accelerator to
the floor
it’s always a
hurry-home
to love
A CONSPIRACY FOR TWO
IN EROTICALLY MAJOR
we do everything
together.
sleep, cook, eat,
shower, water, weed and flower
play, empower, mistake,
parent, work, procreate
inspire, desire,
conspire
we do everything
together.
now she primps as I
write.
the perfect lay of
dungaree denim
announces her
intention
attracts my
attention.
my lover has new lucky jeans.
look how well they
fit, she says
I’m dressing for
sex at the office today.
lucky for me we work
together.
lucky for me we do
everything together.
CROWN OF LIGHTS
upon my knees I look
up to see
a diadem of galaxies
vortex the cortex of
my love
incredulous she asks
how do we make the
sun go up and down?
with our love, as
always, with our love
A STRUCTURE IN 13
LINES / A WEDDING SONG
this woman
like a poem needs
another’s hands
to make it tight
the love around the
braided hair
for this man
what’s to do?
but tie the knot
or lift the hair
to kiss the face
that love would wear
to see the white
light
shining there
EVEN THE MOST KINDRED
SOULS
HAVE SEPARATE BODIES
love is couscous cake
with lemon curd, the
affections of an
afternoon’s kiss
giving up lust for
Lent.
love bends an ear to
hear
a fantasy to sharpen
its
delights against and
asks
questions of fidelity
and the trust of just
one name between us.
ah, drive time with
my Valentine.
in the back seat, the
kids asleep,
and a picnic keeps,
as mountain towns
a century golden old
ghost by.
the curves along the
creek
host an infinity of
light
sliced by jagged
peaks
as we fly in the face
of a suitcase of
facts against us
- we legatees of
outlaw mountain lore.
recognize, we do,
the effect the music
has on us
as the road follows
water through the canyon
while centrifugation
creates
our lean of bodies
‘round snakes at
fifty-five
and switchbacks at
twenty.
we babble our way
unto the next
descent and
reminisce,
taste the sweat of a
hot springs rendezvous
with you, your Pinto
winding west
across a valley so
high
‘twas lit by stars
that moonless night.
one hand upon the
wheel I
keep one upon your
thigh.
even the most kindred
souls
have separate bodies.
even the most kindred
souls
have separate bodies.
THE POT QUEEN
a ranch relic lust,
who but you
o creatrix, could
sativa trust?
who but you, shape
shaper of silver night?
who but you insights
with light?
in a small garden, in
a small place
…no, that will never
do…
in a valley vast the
mother of the harvest fires up
another fecund
moment, a full moon swoon
creeping through the
groin of earth itself.
children gather
‘round her, their eyes, like
adoring spacecraft.
the moment is the
happiness of handing him, the
partner, man
a flower bigger than
his dick, bigger than a bird,
bigger than his
appetite.
the Pot Queen loves
the measure of his delight at
his first sight of it
anticipates the
pleasures of the making love he’s
promised her for
later.
the Pot Queen attends
well, charms again, this
creature she has
captured.
her radiance, the
pleasure of happy
I am to see you.
her world, one of
interested beings
still interested in
being.
her taste, the velvet
throat of imagination.
her face, the verb to
luster.
NOW THAT STEVE IS
BACK
(for Steve Wilson)
now that steve is
back
the plainer poems
dressed like bookman
scouting lawn sales
the ass pocket a
jingle
with miniatures of
vodka
one shot per slug
rambling a bit to
insure
the territory’s
covered
before opening the
bag
that carries home the
pumpkin pie
IF EVERYONE BELIEVED
IN GHOSTS
if everyone believed
in ghosts
there’d be no lies
fortune tellers would
be out of business
or in charge of the
future
we could nothing to
connive
what with all the
family watching
we would just have
flower gardens
and throw parties
sculpting beautiful
statues
of our selves
for our children
if everyone believed
in ghosts
there’d be no bad
deals
no short weight
and very little
conversation
in the government
the pain would
slacken
no stiff necks
and love
would be the subject
of our experiments
THE MAGICIAN
nobody knows
what he does
inside the trick
ever
always
he hides the strings
she moves his hands
IT’S NOT EASY
it’s not easy
to throw away
old clothes
the buttons alone!
BILLY B – (for
William S. Burroughs Jr.)
billy b
he be dead
at thirty-three
(like a cypress tree
cut down
to clear the air
around
a stop sign
- the idiots!
something cute about
a pirate and a poet
funning themselves
on colorado boulevard
with me on the lark
to luck love
and the baby you
divined
and you
casually on your way
to early death
(aye
and sainthood in a
cutthroat heaven)
yes
we were outriggish as you said
the clothes the
hearts the hair
and you
on the hospital
morphine fly
so high
you’d pass out on a
toke of good weed
and I’d take you home
to your chair
where you’d smoke
your cigarettes
drink your beer -
schlitz malt liquor please -
and stare
at alice liddell
doc holliday
or joe frazier
maybe get your
strength back in a while
and throw a knife
into the wall
or bayonet the couch
I’d water your
philodendron
a tropical rarity you
claimed
for a year I was
gonna get
a new pot for it,
billy
and remember lili,
billy
an angel come to see
you
I’d hoped there’d be a meeting of the hearts
and remember the day
you ernie and ray
dressed in wedding
bests
out the door at 9 am
catching a ride
to the finest
celebration of the summer, your last
tattooed children
actors and painters
cool jazz on the
balcony
beautiful dresses
across the floor
with booze on the
tables even
and mushrooms in the
bag
tony scibella was
throwing hats
off the edge
and you warned about
knives
and revenge in
relation to your hat
and that hillside
child-mad you were
defending your hat
and on the way back
that night
you wanted to stop at
mcdonald’s
but I didn’t have the
hour
it would take you to
eat
I dropped you off
hungry
in front of your pad
and pointed at
the jack in the box
across the street
A lot there Ed ... I think it will take awhile for me to absorb it. I like the images.
ReplyDeleteThanks for reading and where would poetry be without images?
ReplyDelete